Biography

Matthew Scott Rogers Conductor London. Photography by Olivia Wild Digital

British conductor Matthew Scott Rogers has recently completed four seasons on the conducting staff of the Royal Opera House, Covent Garden. As a member of the Jette Parker Young Artists Programme he has conducted both the Orchestra of the Royal Opera House and the Orchestra of Opera North on the main stage, and joined the music staff of The Royal Opera working with conductors such as Antonio Pappano, Andris Nelsons, Dan Ettinger and Nicola Luisotti. Engagements before joining the Programme included conducting for The Royal Ballet on the Company’s tours to Japan in summer 2016 and New York in 2015.

Upcoming highlights in 18/19 include Mefistofele at the Southbank Centre, Sancta Susanna and Cosi fan tutte with the Covent Garden Chamber Orchestra. Recent engagements have included Samson et Dalila with Chelsea Opera Group, the London International Guitar Competition finals at Milton Court, Newham Philharmonic at the Barbican, a tour to Bucharest with the BBC Concert Orchestra and as assistant conductor to Vladimir Jurowski and the London Philharmonic.

Rogers came to international attention in July 2015 when he made his Lincoln Center debut conducting the New York City Ballet Orchestra at the David H Koch theatre, followed by the Melbourne Symphony Orchestra as a member of the prestigious Symphony Services International Conductor Development Program. Other orchestras he has conducted include the Tokyo City Philharmonic, Osaka Symphony Orchestra, Dubrovnik Symphony Orchestra, Berlin Sinfonietta, Komische Oper, Southbank Sinfonia, Rambert Ballet Orchestra, and Winslow Hall Opera.

Increasingly established as a composer, he has had recent premieres by members of the Orchestra of the Royal Opera House and the Jette Parker Young Artists Programme. As an editor he completed the new versions of Giselle and Swan Lake for the ROH, and as a conductor he led both the Royal Conservatoire of Scotland PLUG and Glasgow University Sound Thought contemporary music festivals.

He is a passionate advocate of music education, having collaborated with Newham Music on their large-scale project, the Newham Philharmonic, which took a full symphony orchestra into the schools of London’s poorest borough and culminated with concerts at the Barbican. He works regularly with the Learning and Participation department at the Royal Opera House, leading conducting masterclasses.

Rogers was the youngest student admitted into the conducting class at the Royal Conservatoire of Scotland and prepared orchestras for leading guest conductors including Ilan Volkov, Stéphane Dèneve, Donald Runnicles and Martyn Brabbins. Having studied with Neeme and Paavo Järvi, Bernard Haitink and Yannick Nezet-Seguin, he was a member of Jorma Panula’s acclaimed class at the Sibelius Academy in Helsinki.

As both a chorister and clarinettist, Rogers recorded for record labels including Chandos, Naxos, Doyen and DeHaske. He first read music at the Royal Conservatoire of Scotland, before continuing at the University of Glasgow, the Sibelius Academy and the Guildhall School of Music and Drama. He is supported by the International Opera Awards Foundation, the Radford Trust, the John Lewis Partnership and received a Guildhall School Scholarship.

Conducting Diary

June 16 - July 15

La Boheme

The Royal Opera House, Covent Garden

Assistant Conductor

July 15

Offenbach La Belle Helene

The Orchestra of Opera North

Royal Opera House, Gala

July 15 - 27

Swan Lake

Teatro Real, Madrid

Assistant Conductor

September 29

Cosi fan tutte

Covent Garden Chamber Orchestra

St Peter's Church, Kensington

November 22-23

Conducting Masterclass

Learning and Participation, Royal Opera House

Music Mark Conference

- 2019 -

March 24

Boito Mefistofele

Chelsea Opera Group

QEH, Southbank Centre

“Scott Rogers and the orchestra were on thrilling form. Saint-Saens gives the orchestra plenty to do, and there was much to enjoy in this performance… it is a cracking orchestral showpiece and Scott Rogers certainly gave the orchestra its head here.”

- Robert Hugill, Planet Hugill

“Matthew Scott Rogers produced some beautiful lines from Massenet's Cendrillon... and the world-renowned orchestra of the Royal Opera House”

- John Beckett, Schmopera

“Matthew Scott Rogers conducted his own composition, Scarpia Tänze... he conducted it beautifully”

- Louise Flind, Opera Now

“In the exotic music of the Samson-Dalia encounter of the second act Rogers excelled at keeping the pace dramatic, whilst allowing the singers and orchestral soloists full expressive rein."

- Alexander Campbell, Classical Source

“The orchestra, under the excellent conducting of Matthew Scott Rogers, delivered a highly compelling account of the music... beautiful in tone and exquisitely measured."

- Sam Smith, musicomh

Matthew Scott Rogers
Matthew Scott Rogers
Matthew Scott Rogers
Matthew Scott Rogers
Matthew Scott Rogers
Matthew Scott Rogers

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